I love stamps.
A stamp on an envelope is pretty good, but sheets of them, with the image repeated across the page, that’s divine. And I’ve got envelopes full, dating back more than 30 years. My kids give me a hard time about it. Relationships have faltered over the expense and my insistence that they aren’t always meant to be used (I always buy a sheet to use, a sheet to keep. Believe me, this practice adds up after awhile and can be the source of household friction, as if I needed more!).
Personally, I think the US cranks out some of the best stamps in the world. This notion continually gives me hope, though small and rather eccentric, for the future. Just the mere fact that the Post Office has over the years sanctioned what I consider to be quite modernist art, given the slightly Warhol-esque nature of the look, inspires great faith in my country. For, no matter what particular outrage we might inflict on the world at large, how we’ve lost our industrial groove, or the many ways that Congress might appear ridiculous at times, history will show that we at least got our stamps right.
I mean, come on, Johnny Cash AND Ray Charles on stamps. That’s pretty swinging.