Art

“As a kid, I like to draw pictures.
But being left-handed, stuck in those damned right-handed desks at school,
I have a hard time making drawings that aren’t lopsided and weird.
The other kids, being kids, tease me about the bizarre scrawls on my paper.
So at the bitter age of 10, I figure out how to make the teasing stop:
I quit drawing.”

“In 1989, I’m in L.A. recording what will become Trouble No More.
Sitting in the studio, bored, scratching on a newspaper with a pencil,
I accidentally draw a tree.
Immediately, I cover the drawing up, afraid someone will see it.
A few seconds later, I move my hand. It’s still there.
Suddenly I’m 9, sitting in the back of the class,
Lost in the land of crayons and construction paper.
It feels good. I start to teach myself to draw again.”

“Now when I travel, I fill notebooks with weird little black-and-white pictures.
There’s not a straight line to be found, and it doesn’t matter.
I don’t make these images to show people.
I don’t need a gallery wall for proof they’re valid.
The doing of it is all that matters now.”

Excerpts from The Teasers, from the Smith’s book, The Habit of Noticing: Using Creativity to Make a Life (and a Living).

Print available at Yard Dog gallery.

LIFESTYLE

LIFESTYLE

LIFESTYLE

There’s no substitute for cash.

But over the course of my work I’m paid in lifestyle as much as anything.
Being able to spend my years doing what I love
And experiencing all I see out traveling —
These are luxuries never to be taken lightly.

Yes, there are rough times.
I don’t have the stability (and bank accounts)
That some of my friends have — the ones with regular jobs.
My children grow up without the proverbial big-screen TV
But I don’t think they’re unduly scarred.
It’s a sacrifice worth making.

And I would do it again.

From “The Habit of Noticing: Using Creativity to Make a Life (and a Living)” on Irie Books
Text and Image © 2018 Darden Smith